[\/et_pb_toggle][et_pb_toggle title=”DIRECTOR\u2019S COMMENTS” admin_label=”DIRECTOR\u2019S COMMENTS” _builder_version=”3.0.87″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
![\"Ras\u0165o](\"http:\/\/www.ah.sk\/wp-content\/uploads\/2014\/02\/Rasto-Boros-3-e1444765347935-169x226.jpg\")
Stanko is a story about friendship, about the elementary bond between people. My intention was to study the formation and evolution of a relationship that arises inadvertently and unexpectedly between two characters with unlucky backgrounds. Consciously each of the main characters desires something else and follows their goals, the goals that are their ideas of happiness. But in fact, they need something different. Someone, who would care about them. In the story I wanted to examine the consequences that come up as a result of such a relationship. In particular, the responsibility for each other and what happens when one wants to manipulate the other for his own benefit.<\/p>\n
The reason I wanted to work on this theme is rooted in the reality that surrounds me. Sincere relationships, in my opinion, are rare these days. People behave cold-heartedly and rationally. They are pragmatic in that they follow their own benefits, and believe achieving them can make them happy. Later, however, they are surprised to find that they are lonely and realize that something significant is missing in in their lives. Stanko, the protagonist of the film, goes through this experience.<\/p>\n
I did not want the film Stanko to be a critical socio-psychological drama. To approach the audience I accentuated tragical and comical aspects in the film alike. Therefore I chose actor Peter Ko\u010dan to perform the protagonist, who is a tragicomic character. For the rest of the characters I selected non-actors, who are both positively and negatively attractive. And therefore I also chose the environment that changes dynamically throughout the story. The setting is on the road. In terms of genre, the film is a road movie. The story takes place in a confined space – a car that passes through foreign countries. It enables the development of a relationship between two strangers. I chose the road movie genre as my first feature also because I wanted to go beyond the limitations of the highly exclusive Slovak cultural circumstances.<\/p>\n
The theme is universal and so is the film. The main character Stanko was based on a story of a real man who I knew and who lived for many years on Italian farms. He moved around dubious environment balancing between the law and imprisonment. He tried to avoid the problems that, however, always found him anyway. Initially, I was tempted to do a documentary film, but I was afraid that revealing the truth about him would ruin his life. Therefore I decided to work on the feature film.<\/p>\n
The story of a girl that I met for a brief moment a long time ago resurfaced in my mind again and again and served as a starting point for the development of the female character. She was a young girl from the central Slovakia region, who decided to leave her homeland and try a better life abroad. In the hope of a better future of a dancer she boundlessly trusted a guy who actually drove her to a brothel. I wanted to implement in a low-budget production the mosaic of characters, and their various motivations embedded in the story that takes place on the road. The reason was the creative freedom that I did not want to loose. My intention was to work with a minimal crew that would be able to facilitate unexpected changes during the implementation. I also wanted to cast non-actors, the reason being that I wanted to work with authentic people. They were often cast on the spot of the shooting. The shooting was very challenging. Honestly, I can say that without the people who worked with me, this film would not have been made at all.<\/p>\n
Ras\u0165o Boro\u0161<\/em><\/p>\n [\/et_pb_toggle][et_pb_toggle title=”PRODUCER\u2019S COMMENTS” admin_label=”PRODUCER\u2019S COMMENTS” _builder_version=”3.0.87″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n The preparations for the project before the shooting took several months and became rather complicated owing to the language barrier. The likelyhood of shooting the film without getting into trouble with the Italian police had to be adressed through cooperation with the local \u201cFilm commisions\u201d that gave us advice and recommendations. However, they did not support us financially. At that time time, I had applied for financial support from RTVS (Slovak Television and Radio), but that application was rejected. I approached a lot of private companies, but none of them would eventually decide to take part in the project. It seemed no one believed in it.<\/p>\n Despite this, I was not willing to give up on my vision of making this film. Considering the determination of the film unit members, the positive creative energy and time possibilities, we did not want to, and as time went even couldn\u2019t, delay production any further. The shooting began with minimum staff in Slovakia (Rimavsk\u00e1 Sobota, Polt\u00e1r, Hn\u00fa\u0161\u0165a, Lu\u010denec) and northern and central Italy (the regions of Friuli Venezia Giulia and Abruzzo) in August and September 2012. The Slovak part took us 15 days to complete and went relatively smoothly, except one problem that bothered us till the very end. We were shooting with a 30 years old vehicle and, despite all possible precautions, it got broken while we were still in Slovakia. In that pause lasting several days between the Slovak and Italian parts of shooting, we were forced to find an identical substitute for the car of a very specific colour; that led to the new car\u2019s Czech owner became a member of the film unit for the Italian part. Nevertheless, the substitute car got broken within the first week of the Italian shooting. A certified car service couldn\u2019t find a way to fix that particular type. Communicating Slovak to English to Italian and vice versa proved to be quite challenging. The prospect of the production being aborted, the car having to be towed away, its repair and bringing it back to Italy was an unacceptable option.<\/p>\n Therefore we chose an alternative solution – shooting the scenes that didn\u2019t require the presence of the car in motion. Some scenes were shot with a hauling rope. In spite of the help of automobil enthusiasts from Czech who managed to travel to our location and repair the car additionally, the problems with the car did not end there and merit a separate film adaptation. The production was also made more complicated by the different mentality and work attitude of Italians, which affected our work both directly and indirecty. While shooting in Aquillea, our all-purpose car with a loaded trailer, together with old car got towed away. Thus we lost two vehicles, one for shooting, one for production needs; afterwards, it became impossible to continue filming.<\/p>\n While overcoming unbelievable difficulties getting the car back we lost one valuable day of relaxation and we had unexpected financial expenses. The problems continued with the all-purpose vehicle getting broken in the Grand Sasso national park, where the landscape is one full of hills and serpents. The motorway was closed down. A tyre got a puncture. Huge distances between the filming locations, technical problems with the vehicles, being constantly on the move, packing and unpacking of things and equipment, the film unit members\u2019 obligations had to be coupled with driving, alternative solutions for epizodical characters, etc. All that was too complicated for such small a staff. The 30-day second part of filming in an expensive country with minimal support for a genre movie and plenty of noncontrollable problems became a test of our courage and nerves. Still, we did manage to fulfill the production schedule. Although the low-budget-based project and a minimum number of staffers seemingly allowed for more creative flexibility and freedom, it paradoxically caused the progress of production to be hindered, which would later be reflected in the fact that the consequent post-production lasted, with some interruptions, for three years.<\/p>\n On behalf of the creators I dare say that everyone involved worked on the project with great enthusiasm and really put themselves into it. Despite troubles at the birth of the film, I consider it an exceptional Slovak road movie. It is our pleasure and honour that the film was chosen for the competition at a prestigious A-film festival in Warsaw. Largely, but not exclusively, because of the way the film came into being, I believe the energy that was put into it will transform itself in the form of positive reactions from audience not only at festivals, but also in Slovak movie theaters, where it will be introduced in 2016. A big thanks should go to all members of the filming staff as well as to other people (included in closing credits) who helped to make it possible.<\/p>\n Barbara Harumov\u00e1 Hessov\u00e1<\/em><\/p>\n [\/et_pb_toggle][et_pb_toggle title=”DOWNLOADS” open=”on” admin_label=”DOWNLOADS” _builder_version=”3.0.87″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] STORY, SCREENPLAY, DIRECTOR<\/strong> PRODUCER<\/strong> EDITOR<\/strong> DOP<\/strong> SOUND<\/strong> MUSIC BY<\/strong> EXECUTIVE PRODUCER AND PRODUCTION<\/strong> CAST<\/strong><\/p>\n STANKO GIRL MARCEL ROBBED LADY BANK SECURITY FRENCH NEIGHBOR MOTHER\u2019S PARTNER MOTHER SELLER IN A SHOP SELLER IN A GAS STATION ABDUL LUIGI PAOLO ANTONIO SELLERS IN A JEWELERS PROSTITUTE WOMAN ON THE BEACH MAN ON THE BEACH EPISODIC CAST<\/strong><\/p>\n Lucia Adamovi\u010dov\u00e1 PRODUCTION ASSISTANTS<\/strong><\/p>\n Mirella Benes FIRST ASSISTANT CAMERA<\/strong><\/p>\n Martin \u010cech<\/p>\n PROPS AND CONSTRUCTION<\/strong><\/p>\n Erik Ivan\u010d\u00edk COSTUMES<\/strong><\/p>\n Peter Ko\u010dan DRIVERS<\/strong><\/p>\n Peter Harum TECHNICAL SUPERVISION<\/strong> TRANSLATION OF ENGLISH SUBTITLES<\/strong> TRANSLATION OF ITALIAN SUBTITLES<\/strong> TRANSLATION OF FRENCH SUBTITLES<\/strong> DRAMATURGY OF ENGLISH SUBTITILES<\/strong> SOUND POSTPRODUCTION<\/strong> DOLBY STUDIO<\/strong> 5.1 SOUND<\/strong> GRADING<\/strong> SPECIAL THANKS<\/strong> City Rimavsk\u00e1 Sobota Town hall Polt\u00e1r Village Kalinovo SLZ Hn\u00fa\u0161\u0165a SUNOB Capital s.r.o. Nitra SLOVNAFT, a.s. Petrol station SLOVNAFT Polt\u00e1r OTP, Rimavsk\u00e1 Sobota Bar \u017dlt\u00fd svet Car spare parts shop Polt\u00e1r Driving school Tuga Elektroexpert Bakers from Polt\u00e1r<\/p>\n Firefighters from Polt\u00e1r<\/p>\n Daylight Rental Housing agency of the resort SAD LU\u010cENEC M\u00e1ria Demeov\u00e1<\/p>\n Anita Obdr\u017e\u00e1lkov\u00e1<\/p>\n Mariana Pehelov\u00e1<\/p>\n Friuli Venezia Giulia region<\/p>\n thanks for cooperation – Si ringraziano per la gentile collaborazione: Friuli Venezia Giulia Film Commision \u2013 Guido Cassano owners and employers – Propriet\u00e0 e personale di: Abruzzo REGION<\/p>\n under the auspices – Con il Patrocinio di: thanks for cooperation – Si ringraziano per la gentile collaborazione: owners and employers – Propriet\u00e0 e personale di: Abruzzo Film Commission \u2013 Support Service \u2013 Ensino Di Cecco www.facebook.com\/pages\/Abruzzo-Film-Commission\/319493428082409<\/p>\n production and distribution of this film was supported by<\/p>\n AUDIOVISUAL FUND<\/p>\n \u00a9 AH production, s.r.o. 2015<\/p>\n www.filmstanko.sk<\/p>\n [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” custom_padding_last_edited=”on|desktop” admin_label=”Sekcia” _builder_version=”3.22″ background_image=”http:\/\/www.filmstanko.sk\/wp-content\/uploads\/2015\/10\/film-stanko-56.jpg” parallax=”on” custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on”][et_pb_fullwidth_header content_max_width=”none” admin_label=”Hlavi\u010dka na cel\u00fa \u0161\u00edrku” _builder_version=”3.16″ background_color=”rgba(255, 255, 255, 0)” background_layout=”light” button_one_letter_spacing_hover=”0″ button_two_letter_spacing_hover=”0″ button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” 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button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”0″ button_two_letter_spacing__hover_enabled=”on” button_two_letter_spacing__hover=”0″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][et_pb_fullwidth_header content_max_width=”none” admin_label=”Hlavi\u010dka na cel\u00fa \u0161\u00edrku” _builder_version=”3.16″ background_color=”rgba(255, 255, 255, 0)” background_layout=”light” button_one_letter_spacing_hover=”0″ button_two_letter_spacing_hover=”0″ button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”0″ button_two_letter_spacing__hover_enabled=”on” button_two_letter_spacing__hover=”0″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”Sekcia” module_id=”authors” _builder_version=”3.22″ background_color=”#f1f2e3″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on”][et_pb_row admin_label=”Riadok” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text – AUTHORS” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” text_orientation=”center” module_alignment=”center” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n [\/et_pb_text][et_pb_team_member name=”Ras\u0165o Boro\u0161” position=”STORY, SCRIPT, DIRECTION” image_url=”http:\/\/www.filmstanko.sk\/wp-content\/uploads\/2015\/10\/web-rasto-boros.jpg” admin_label=”Ras\u0165o Boro\u0161” _builder_version=”3.0.87″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation=”top” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n Ras\u0165o Boro\u0161 was born on 31.1.1979 in Rev\u00faca, Slovakia. He studied scriptwriting at Film and TV Faculty of the Academy of Performing Arts (V\u0160MU Bratislava). He worked as a copywriter for advertising agencies and later as a television writer, dramaturge. In terms of short feature films, he has written Ve\u013ek\u00e9 pranie and Raj\u00f3n, and directed Ryba\u010dka a L\u00e1ska. Boro\u0161 is the author of the screenplay for the tragi-comedy \u010carovn\u00fd papag\u00e1j a in\u00e9 g\u00fd\u010de. The feature-length road movie Stanko is his screenwriting and directorial debut.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Barbara Hessov\u00e1” position=”PRODUCER” image_url=”http:\/\/www.filmstanko.sk\/wp-content\/uploads\/2015\/10\/web-barbara-hessova.jpg” admin_label=”Barbara Harumov\u00e1 Hessov\u00e1” _builder_version=”3.0.87″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation=”top” border_style=”solid”]<\/p>\n Barbara Hessov\u00e1 graduated in film and multimedia production and distribution at the Film and Television Faculty of the Academy of Performing Arts in Bratislava, where she received the Rector\u2019s Prize and subsequently undertook her doctoral studies. She has worked for several production houses on documentary and feature films, as well as TV serials. She has also worked for the Audiovisual Fund as a grant application administrator and later as a member of various Fund expert committees. In 2007, she founded AH production where she develops and produces feature-length documentaries and feature films (Flooded, Parlika, Stanko, So Far, So Near, Comeback, Zdenka, Judge Me And Prove Me). She is currently a member of Supervisory Board of Slovak Film and TV Academy and a member of European Film Academy. She teaches as an internal member of the faculty at the Department of Production and Distribution and is Vice-Dean for International Relations at the Film and Television Faculty of The Academy of Performing Arts in Bratislava.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Peter Harum” position=”EDITOR” image_url=”http:\/\/www.filmstanko.sk\/wp-content\/uploads\/2015\/10\/web-peter-harum.jpg” admin_label=”Peter Harum” _builder_version=”3.0.87″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation=”top” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n Peter Harum (*1978, Bratislava) studied film editing at the Film and Television Faculty of V\u0160MU. His most successful films include: the original documentary Vladkova cesta (awarded the Literary Fund Prize for artistic achievement in 2010 in the category of documentary film), Ja som ban\u00edk, kto je viac (awarded the Grand Prix at the \u00c1\u010dko festival in 2012, as well as a nomination at the festival in Amsterdam), Ban\u00edcky chleb\u00ed\u010dek (dir. by Roman F\u00e1bian, 2013), Cig\u00e1ni id\u00fa do volieb (directed by Jaro Vojtek, 2012) \u2013 special recognition for extraordinarily high-quality film editing \u2013 the Silver Eye Prize 2012, Tak \u010faleko, tak bl\u00edzko (directed by Jaro Vojtek, 2014 – national nomination for EFA and the main national Igric price for documentary film). In addition, he creates for television as well. Mr. Harum is also an external pedagogue in film editing at the Mass Media Faculty of PEV\u0160.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Ivo Miko” position=”DOP” image_url=”http:\/\/www.filmstanko.sk\/wp-content\/uploads\/2015\/10\/web-ivo-miko.jpg” admin_label=”Ivo Miko” _builder_version=”3.0.87″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation=”top” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n Ivo Miko comes from Sabinov, Slovakia. After graduating from the Faculty of Physical Education and Sports in Bratislava he decided to dedicate himself to a film career and began to study at the Film and TV Faculty of the Academy of Performing Arts in Bratislava. Within the faculty, he studied at the Department of Camera and Photography, where he also completed his doctoral studies. During his studies he worked as a DOP on several films and received several awards. He graduated with a movie called Otec that won the top award for best film at the 39th Film Festival Sehsuchte in Potsdam, Germany. He was a DOP on the film I am the miner, who is more, which won several student awards as well as a prize for cinematography at the Slovak competition of cinematographers Kamera 2013. He worked as the second cameraman on a feature film titled Exhibition, which won an award at Febio Fest in Prague, and he also won the main prize at Emir Kusturica\u2019s festival in Kustendorfe. He currently works as a freelance cameraman.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”David Kollar” position=”ORIGINAL MUSIC” image_url=”http:\/\/www.filmstanko.sk\/wp-content\/uploads\/2015\/10\/web-david-kollar.jpg” admin_label=”David Kollar” _builder_version=”3.0.87″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation=”top” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n David Kollar is a young generation artist, guitarist and film music composer with a unique musical vision that absorbs and reflects all manner of music while retaining an enviable individualism and high quality craftsmanship. His work spans from creative music to very powerful and deep music. By age 30 he had released six albums and created music for more than 20 films and theatre performances. His latest album THE SON (Hevhetia, this music was also used in Comeback) was featured among the top albums of the year in several countries (USA, France, Czech Republic and Slovakia). The album has a huge following abroad because of the originality of both the guitar playing and musical composition.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Luk\u00e1\u0161 Kasprzyk” position=”SOUND” image_url=”http:\/\/www.filmstanko.sk\/wp-content\/uploads\/2015\/10\/web-lukas.jpg” admin_label=”Luk\u00e1\u0161 Kasprzyk” _builder_version=”3.0.87″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation=”top” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n Luk\u00e1\u0161 Kasprzyk \u2013 Graduated in sound composition studies at the Academy of Performing Arts. As a student he was already making his first two feature-length films BratislavaFILM and L\u00f3ve. Currently, he is working on several film, television and Internet projects.<\/p>\n [\/et_pb_team_member][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” custom_padding_last_edited=”on|desktop” admin_label=”Sekcia” _builder_version=”3.22″ background_image=”http:\/\/www.filmstanko.sk\/wp-content\/uploads\/2015\/10\/film-stanko-44.jpg” parallax=”on” custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on”][et_pb_fullwidth_header content_max_width=”none” admin_label=”Hlavi\u010dka na cel\u00fa \u0161\u00edrku” _builder_version=”3.16″ background_color=”rgba(255, 255, 255, 0)” background_layout=”light” button_one_letter_spacing_hover=”0″ button_two_letter_spacing_hover=”0″ button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”0″ button_two_letter_spacing__hover_enabled=”on” button_two_letter_spacing__hover=”0″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][et_pb_fullwidth_header content_max_width=”none” admin_label=”Hlavi\u010dka na cel\u00fa \u0161\u00edrku” _builder_version=”3.16″ background_color=”rgba(255, 255, 255, 0)” background_layout=”light” button_one_letter_spacing_hover=”0″ button_two_letter_spacing_hover=”0″ button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”0″ button_two_letter_spacing__hover_enabled=”on” button_two_letter_spacing__hover=”0″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][et_pb_fullwidth_header content_max_width=”none” admin_label=”Hlavi\u010dka na cel\u00fa \u0161\u00edrku” _builder_version=”3.16″ background_color=”rgba(255, 255, 255, 0)” background_layout=”light” button_one_letter_spacing_hover=”0″ button_two_letter_spacing_hover=”0″ button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”0″ button_two_letter_spacing__hover_enabled=”on” button_two_letter_spacing__hover=”0″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”Sekcia” module_id=”contact_form” _builder_version=”3.22″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on”][et_pb_row admin_label=”Riadok” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” text_orientation=”center” module_alignment=”center” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n![\"Barbara](\"http:\/\/www.ah.sk\/wp-content\/uploads\/2014\/02\/Barbara-Harumova-Hessova-2015-2-e1444767621937-163x240.jpg\")
When the screenwriter Ras\u0165o Boro\u0161 approached me in 2011, asking me if I would be willing to produce his directorial debut I agreed, beacause his screenplay immediately caught my attention. The central theme was one of sex trafficking in girls; but, above all, it also tells a story of a friendship, a universal bond between two people from the margins of society. A simple road movie as a genre had been absent in the Slovak cinema. But still the movie has the potential to grab attention of the international movie-goer thanks to the universality of the subject matter. Furthermore, a low-budget film production abroad and in a foreign language became the next interesting challenge for me. In 2012, the project named STANKO got supported by Audiovisual Fund as part of the MINIMAL program (for very low-budget genre movies) and was the only one within that program to be realized abroad.<\/p>\n
\nRas\u0165o Boro\u0161<\/p>\n
\nBarbara Harumov\u00e1 Hessov\u00e1<\/p>\n
\nPeter Harum<\/p>\n
\nIvo Miko<\/p>\n
\nLuk\u00e1\u0161 Kasprzyk<\/p>\n
\nDavid Kollar<\/p>\n
\nBarbara Harumov\u00e1 Hessov\u00e1<\/p>\n
\nPeter Ko\u010dan<\/p>\n
\nIvana Kanalo\u0161ov\u00e1<\/p>\n
\nMarcel Bob\u00e1k<\/p>\n
\nTer\u00e9zia Papr\u010dkov\u00e1<\/p>\n
\nMilan Mur\u00e1nsky<\/p>\n
\nMaxim Michel Dominique Grenu<\/p>\n
\nRoman Fizane<\/p>\n
\nBla\u017eena Brandov\u00e1<\/p>\n
\nEva M\u00e1csov\u00e1<\/p>\n
\nAlica Nociarov\u00e1<\/p>\n
\nAbdlinahed Jabiri<\/p>\n
\nMarco Slivagni<\/p>\n
\nSergio Germano<\/p>\n
\nYoussef Haouass<\/p>\n
\nLuciano a Marco Taccone<\/p>\n
\nViviana Sipio<\/p>\n
\nAnna Fair<\/p>\n
\nDavid Gunn<\/p>\n
\nVladim\u00edr Koso\u0148
\nImrich Riaj\u0165\u00fak
\nPeter \u017div\u00e1k
\nPeter Adam
\nAlexandra B\u00f3diov\u00e1
\nIveta Murkov\u00e1
\n\u017daneta Polho\u0161ov\u00e1
\nBarbora Olejn\u00edkov\u00e1
\nMiro Zetoka
\nJozef Boro\u0161
\nMartin V\u00e1lkovec
\nTibor O\u0161v\u00e1th
\nVeronika \u017dilkov\u00e1
\nRen\u00e1ta Kelemenov\u00e1
\nUrosso Umberto
\nGiacomo Cupido
\nOleg Yuzcherko
\nAnnoylenia Santilli
\nBruna Carlizza
\nRiccardo Pianacio
\nAntonio Fegatilli – Toni Mione
\nNunzlo Dipietro
\nErminia Morgante
\nIrina Iliescu
\nGianvincenzo Sforza
\nFranz Di Gianni Imperio
\nArshdeep Singh<\/p>\n
\nAndrea Biskupi\u010dov\u00e1
\nMilo\u0161 Kotl\u00e1rik<\/p>\n
\nDorka Sykorjakov\u00e1
\nAndrea Biskupi\u010dov\u00e1
\nBarbara Harumov\u00e1 Hessov\u00e1
\nMartin \u010cech
\nIvo Miko
\nPeter Harum<\/p>\n
\nBarbara Harumov\u00e1 Hessov\u00e1
\nAndrea Biskupi\u010dov\u00e1
\nMirella Benes<\/p>\n
\nMartin \u010cech
\nMilo\u0161 Kotl\u00e1rik
\nDu\u0161an Tome\u010dek
\nBarbara Harumov\u00e1 Hessov\u00e1
\nAndrea Biskupi\u010dov\u00e1
\nVlado Biskupi\u010d<\/p>\n
\nPeter Harum<\/p>\n
\nJulia Sherwood<\/p>\n
\nMirela Benes<\/p>\n
\nBarbara Harumov\u00e1 Hessov\u00e1<\/p>\n
\nAnna Kareninov\u00e1<\/p>\n
\nSoundline<\/p>\n
\nDimas Digital Master Studio<\/p>\n
\nBohumil Martin\u00e1k<\/p>\n
\nPeter Harum<\/p>\n
\nDu\u0161an Tome\u010dek
\nMarek M\u00e1dr
\nPavel Kotek
\nBMW E12 520\/6 and dead BMW 525
\nMarek Le\u0161\u010d\u00e1k
\nMartin \u0160ul\u00edk
\nRado D\u00fabravsk\u00fd
\nJozef Kanalo\u0161
\nVlado Biskupi\u010d<\/p>\n
\nCity Polt\u00e1r
\nCity Lu\u010denec<\/p>\n
\nPavel Ol\u0161iak<\/p>\n
\nJ\u00e1n \u0160\u00e1rkan<\/p>\n
\nJaroslava Macekov\u00e1
\nJozef Turo\u0148<\/p>\n
\nM\u00e1ria Ke\u010dk\u00e9\u0161ov\u00e1
\nPeter Jani\u0161<\/p>\n
\nAnton Moln\u00e1r
\nDaniel Stopka
\nHana Kuku\u010dkov\u00e1
\nIngrid Kosteln\u00edkov\u00e1<\/p>\n
\nDenisa Detvanov\u00e1<\/p>\n
\nIveta Adamove
\nArnold Bug\u00e1r
\nZuzana Krenyitzka<\/p>\n
\nKarol Bielik<\/p>\n
\nAnna Balkov\u00e1<\/p>\n
\nPeter Tu\u010dek<\/p>\n
\nMiroslav Vitko
\nRoman G\u00e1l<\/p>\n
\nTom\u00e1\u0161 Mi\u0165ko<\/p>\n
\nof ministry of defence OF Slovak republic<\/p>\n
\nVOJTECH KUPKA<\/p>\n
\nComune di Pontebba
\nComune di Resiutta
\nComune di Grado
\nComune di Trieste Ufficio Coordinamento Eventi<\/p>\n
\nhttp:\/\/www.fvgfilmcommission.com<\/p>\n
\nAlbergo Caff\u00e9 Vecchio- Pontebba
\nBar Totally Freedom – Sistiana
\nGattili di Trieste
\nCarmelo Settembrino
\nEleonora Cavallo \u2013 Blooperslab<\/p>\n
\nComune dell\u2019Aquila
\nParco Nazionale Gran Sasso e Monti della Laga
\nComune di San Vito Chietino (CH)<\/p>\n
\nComune dell\u2019Aquila \u2013 Assessorato alle Politiche Culturali
\nComando Polizia Municipale dell\u2019Aquila
\nComune di Santo Stefano di Sessanio (AQ)
\nParco Nazionale Gran Sasso e Monti della Laga
\nComune di Avezzano
\nComune di Celano
\nComune di San Vito Chietino<\/p>\n
\nRistorante \u2013 Bed & breakfast – Locanda sul Lago di Santo Stefano di Sessanio (AQ)
\nLa Locanda delle Streghe – Relais Ristorante di Castel del Monte (AQ)
\nBed & breakfast – Le Civette di Castel del Monte (AQ)
\nBed & breakfast – Le Scimmie di Castel del Monte (AQ)<\/p>\n
\nwww.abruzzofilmcommission.com<\/p>\nAUTHORS<\/h1>\n